I am happy to announce that my latest book Travels in Time Across Europe is now available for purchase on Amazon in both paperback and Kindle formats! You can purchase yours today by clicking on the book cover at the top of this article or by clicking here.
One of the fundamental maxims of physics is that “For every action there is an equal and opposite reaction.” For everything that is said or done something of equal vigour must be in order. By this logic then, for every fascist, far-right, or white supremacist threat to American society and we the American people there must also be an equal reaction by the far-left, by the Anti-Fascists as they have deemed themselves. Yet what good does the threat of violent action do? What is the point of bringing one’s guns to an anti-fascist protest? What is the point of eradicating the memory of all who have had some dirt upon their hands, who committed evils in their lives?
This moment, at the closing years of the second decade of the twenty-first century, is a moment of immense change, of tribulation not unfamiliar to our predecessors from a century prior. We are living through the waning hours of a period of unprecedented social change and extraordinary wealth for many in our society. We have witnessed a plethora of forces at work in their efforts to bend our society to their aims. Some have sought to bend the law in order to further their own wealth and prosperity to the detriment of others. Still more have fought against those egotists in the defence of the common good and the wellbeing of all.
Now, as we look ahead towards the last months of 2017 and the new year 2018 we are beginning to recognise as a society how uncertain our future is. We are realising that our children will probably not be better off than ourselves, that our generation as well will probably fall in economic standing in a way unseen in the past century. It is natural to react to this with fear, to curse the political, economic, and social systems that led us to this moment. But in our present culture we celebrate fear, overreaction, and anger far too much. We have accepted extreme behaviour on television as normal, and in so doing have accepted that same extremism into our own lives.
We have reached a moment in our history when both the right and left are afraid; afraid of losing what they have; afraid of each other. We have reached a moment when the politics of fear have duped millions into electing a man entirely unfit for the duties to which he is oath-bound to serve. We have reached a moment when lies are far louder than truths and accepted as real by sections of society.
We have reached a point where at long last the old Confederate sympathies are being brought into the light of day as racist echoes of a failed rebellion from 150 years ago. Yet the zeal of the most outspoken on the far-left has created its equal reaction to the zeal of the far-right. Both now have sizeable factions at their rallies who are armed, ready to fight.
Extremism in any form is unnatural and unhealthy. Yet in the current moment in American history it is the extremes of our society that are the most vocal. I cannot deny that our political system is flawed, it absolutely is. I cannot also deny that American capitalism favours the rich, that is how the playbook has been written. I would be an idiot to ignore that our society is rigged against anyone who is not male and of European descent, there is a racial hierarchy in this country that has existed since the colonial era. But I would be blind to also deny that we can change things for the better. We can fix our corrupted political system, we can rewrite the codes that govern our capitalism, we can stand up everyday for the rights of all in this country and day by day continue to chip away at those old biases. But we cannot do these things while we are taken hostage by the far-right and far-left of our society. We cannot fully achieve the great work of our society while our society is a hostage to the militant few willing to kill their fellow Americans in defence of their extreme convictions.
We must continue to march, to protest, to organise, and to vote. We must carry on the good work that our predecessors undertook in generations past. We can make this country a better place for our children and grandchildren and great-grandchildren to live in. But we must walk the middle road of moderation to do so.
We must understand the full consequences of our actions, we must learn from our history so that we do not make the same mistakes again. There are many who are opposed to the removal of the Confederate monuments because that is “erasing our history.” I disagree. By removing those monuments to a rebellious movement in our history, we are forcing the book closed on that chapter that has yet to settle. After all, we still see the way in which Americans continue to threaten one another with violence at the slightest hint of progressive reform. To make our society better for the next generations we must rid ourselves of this disease of extremism. We must show those who want violence that through peaceful debate we can achieve far greater things.
“For every action there is an equal and opposite reaction.” When the far-left responds to the far-right’s threats of violence with equal threats the far-left only continues that same cycle of violence. Consider that maxim again: “For every action there is an equal and opposite reaction.” Threats of violence may well be equal on both sides, but the threat of violence on the left is not opposite to the threat of violence to the right. It is not the positive to the right’s negative. Only peaceful protest, nonviolent refusal to play by their rules of violence can achieve that. Through peace and nonviolence we find our equal and opposite reaction. Let’s try it for once. You never know, it might just work.
When we hear many politicians try to add weight to their arguments, they often will add references to their own lives, “I served in the Army for 20 years,” or “Having been a lawyer for 35 years.” In this way, they seek to promote their argument through the weight of what they possess. One of the most common that was used by Congressional Republicans in order to prove they are not misogynists like Trump was to bring their “wives and daughters” into their argument. This is a technique that I like to call rhetorical quantifying, a way of attempting to prop up a fairly weak, or entirely unoriginal argument by showing how one’s relates to the topic, whether it be through family, friends, acquaintances, or personal possessions.
I’ll be completely honest; this tactic really annoys me. A valid argument will always be able to stand on its own without the help of some extra quantitative fluff. It doesn’t matter that Speaker of the House Paul Ryan is married to a woman, nor that he has a daughter, what matters is that his argument is valid. Yet what makes this tactic go by with so little press is that the general public has largely accepted it. People in all situations will attempt to bolster their position in a discussion, argument, or even a fight by trying to show how much better they are than someone else.
On Saturday, at the height of the chaos unleashed by White Supremacists on Charlottesville, Virginia, a 20 year old from Ohio named James Fields drove his car into a crowd of counter-protestors killing one and injuring nineteen others. Upon hearing the news from reporters, his mother in the spur of the moment used this same technique pointing out that her son “had an African American friend.” While she was certainly in the early stages of processing all that her son had done, and the fact that he will quite possibly spend the rest of his life in prison, the way in which she attempted to counter his white supremacist actions by bringing his African American friend into the conversation shows the weakness of this argument. It does not matter that he was friends with someone who is not of European descent, what matters are his intentions and actions.
Rhetorical quantifying rests heavily upon two particular issues, firstly the use of non-consequential evidence within an argument, that is mentioning one’s connection to a certain group of people or things in an attempt to bolster one’s argument and secondly the inherent possessiveness of quantifying. In regards to the argument itself, both issues are inevitably overshadowed by the fundamental reality that quantifying distracts from the main argument. A listener who should be paying close attention to a politician’s weak denial of misogyny is instead distracted by the sudden appearance of all of the female members of that politicians’ nuclear family.
Rhetorical quantifying is just one of many tools a speaker can use to distract an audience away from a main point that might be rather unseemly. Though not as irritating as pivoting, an art form exhibited beautifully by Senator Al Franken on The Late Show on 1 August, rhetorical quantifying is a tried and true way to avoid answering the question and attempt to cover one’s tracks. Undoubtedly there will be those in Congress and in many state houses across the country that will use rhetorical quantifying to distance themselves from any of the white nationalist groups that partook in the rally this weekend in Charlottesville. Yet while they may gather together all of their connections to both religious and ethnic minority communities, these individuals will still be wolves in sheepskins.
Rhetorical quantifying is a deceptive tool used to distract. Yet it is a deception that has become so commonplace we hardly notice it. We should consider our arguments carefully and consider whether what we say contributes or distracts from what we are arguing. In my book, rhetorical quantifying is a quasi-boastful tactic to be avoided at all costs.
I am overjoyed to announce that you will be able to purchase copies of my first fiction book The Adventures of Horatio Woosencraft and Other Short Stories beginning this Friday, 18 August 2017 on Amazon! The book will be available in both paperback and Kindle editions.
In the meantime, I’ll be wrapping up work on Travels in Time Across Europe and preparing to record the companion audiobook (yes, you’ll have a chance to hear my strange accent for hours on end [it makes good listening for long road-trips, transoceanic flights, and extended waits in line at the DMV, doctor’s office, and on your commute home]).
After a decade of writing, I have decided to release a collection of my short stories, composed between 2008 and 2017. I am happy to announce it will be available for purchase on Amazon starting in late August 2017 in paperback form to readers in Europe, and in the United States as well as to a global audience digitally on Kindle.
From the fictional Welsh immigrant detective Horatio Woosencraft who solves mysteries in an alternate-reality Kansas City to the glamour and adventure of the massive airship Phaëton and bewildering confusion of the characters in Abducted and Abandoned, this volume is sure to please. I have included my epic poem Caffydd, a tale of love and the daily struggle against evil with deep theological undertones in this volume as well. While it does not reflect my current theology quite as closely as it did when I wrote it in 2010, Caffydd still serves as a fascinating read, a vision of what might be.
Beyond the stories, this book includes many, many of the stories and ideas, the metaphors and hyperboles that I thought of through out my high school and undergraduate years. It reflects my interests in history, theology, linguistics, and the great Classical, Victorian, and Edwardian works of fiction that fill out my library.
The Adventures of Horatio Woosencraft and Other Stories will be available for sale in both paperback and Kindle formats on Amazon later this month, just in time for Halloween, any Autumn birthdays, and Christmas. Keep an eye on my website, Twitter, and the Adventures of Horatio Woosencraft and Other Stories Facebook page for further updates on the book.
After almost two years of writing and editing, my first book Travels in Time Across Europe is nearing completion. I am happy to announce it will be available for purchase on Amazon this coming Autumn in paperback form to readers in Europe, and in the United States as well as to a global audience digitally on Kindle.
From snow-capped Alpine peaks to the low coastlines of England, Finland, and Ireland, Travels in Time Across Europe recounts my adventures while living in London from November 2015 to August 2016. Within the day-to-day elements of the story, moments both humourous and pensive from my life, I have interlaid the histories of the places and peoples I visited. From crossing the Alps in the footsteps of Hannibal, Caesar, and Napoléon, to retracing the footsteps of my ancestors back to the towns and villages they left behind for new lives in America, this is a story of exceptional breadth.
On top of all of this are laid the realities of the times in which we live, the major political and cultural phenomena that have shaped this our current decade. As I wrote this book, I couldn’t help but watch as tumultuous turn after tumultuous turn of events reshaped the world that I have come to know so well. The uncertainty of 2015 and 2016 run throughout this book, an uncertainty that is anything but unprecedented, despite what the pundits may say; after all our history is full of tumult and precedent.
Travels in Time Across Europe will be available for sale in both paperback and Kindle formats on Amazon this Autumn, just in time for Christmas. Keep an eye on my website, Twitter, and the Travels in Time Across Europe Facebook page for further updates on the book.
What I found especially gripping about Christopher Nolan’s latest film, a retelling of the Miracle at Dunkirk, was that each of the individual people in the story were not the main character. That role was filled by the seemingly indomitable human spirit, and will to survive and struggle ever onwards. Dunkirk might well be one of the most defining moments of the Twentieth Century for Britain, and quite possibly as well a crucial turning point for the whole world.
The film follows three main groups: the soldiers on the beaches, the sailors both civil and naval crossing the Channel, and the RAF in the air trying to keep the fighters and bombers of the Luftwaffe from wrecking further havoc to the men stuck at Dunkirk and the ships trying to ferry them to the safety of home, a mere 26 miles away. Though the plot is not in itself chronological, it nevertheless helps tie together each disparate group, connecting their experiences in a spiritual fashion as each come ever closer to the film’s climax.
For British and Commonwealth viewers this film will certainly reinforce that Dunkirk Spirit, that steely determination that even in the darkest of hours Britain and her sister countries will never surrender. I became quite emotional when, after witnessing the sense of doom the soldiers on the shore felt for a good hour, the hodgepodged fleet of little ships arrived in the waters off of Dunkirk. This moment, though one of the darkest hours in British history is also equally one of the most inspiring to have transpired in that island nation’s long story.
For American viewers this film should give us pause. In our present hour of immense internal divisions, of political unrest and civil discontent we should consider what it would mean for us as one people to come together for a cause we all knew to be necessary for the continued survival of our country and the liberty it’s Constitution assures. In this hour of great uncertainty we should be looking not to what divides us but what can unite us.
Hans Zimmer’s score is a welcome change from his usual set of loud brass, excessive strings, and choirs primarily singing “Ah” for far too many measures. While loud, this score adds to the energy of the film, and in a musical sense is largely understated. The music helps bring the viewer into the picture, onto the beach, aboard the small boats and naval ships, and in the cockpits of the Spitfires high above in the air. I really appreciated the echoes of Elgar’s Nimrod that played over the final scene as Britain and her forces came to rest aground again and prepare for the inevitable Battle of Britain to come.
Overall, I thoroughly enjoyed this film, and just a few minutes prior to sitting down to write this review I told my writing partner Noel that I have to go back and see this again soon. Dunkirk is a film that triggers both the conscious and sub-conscious, that calls upon one’s entire emotional and physical self. It is one of a number of films that are to me the new “talkies”; they address not only our visual and aural senses, but our emotional senses as well. I have a feeling there will be many more films like Dunkirk to come.